Luigi Boccherini: Stabat Mater
Stabat Mater
Mit weiteren Werken von:
Emanuele Rincon d'Astorga (1680-1757)
Mitwirkende:
Susan Gritton, Sarah Fox, Susan Bickley, Paul Agnew, Peter Harvey, Choir of the King's Consort, The King's Consort, Robert King
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- +d'Astorga: Stabat Mater
Product-Information:
Boccherini wrote very little vocal music; however he left two settings of the Stabat Mater. It was first set in 1781 for solo soprano and strings and then in 1800 for two sopranos and tenor, obviously influenced by the hugely-popular Pergolesi Stabat Mater of 1736. Their are many similarities in the notation and harmony - even the same key of F minor is used. The writing is of extraordinary individuality and seems to come straight from the heart. This unjustly neglected piece is surely one of the most remarkable sacred compostions of the era. Emanuele d'Astorga was one of the most colourful figures in early eighteenth-century music and his life has often been subject of legend rather than fact (brief details of which can be discovered in Robert King's illuminating booklet notes). During his life, Astorga was best known for his well-written and tuneful chamber cantatas (of which more than 150 survive) and his opera Dafni (only Act 1 now survives). But by far his most enduring work has proved to be this setting of the Stabat Mater, his only surviving sacred composition. Throughout it we hear Astorga's gift for writing warm melodies, typical of the Neopolitan style of the time and how he captures the melancholy of this most desolate of sacred texts. This recording is of two extremely beautiful settings - the Astorga is better-known than the Boccherini, but if any recording proves that a piece should be neglected no longer, this must surely be it.
Rezensionen
'Outstanding performances' (American Record Guide)
'Remarkable and beautiful settings' (Gramophone)
'Heart-melting ... full of grace and beauty' (BBC Music Magazine)
'Another well-deserved hit for this splendid team' (Classic CD)
Rezensionen
M. Hengelbrock in KLASSIK heute 10/01: »Robert Kings Interpretation überzeugt vor allem durch ihr gutes Gespür für organische Tempi und für einen warmen, modu- lationsfähigen Chorklang. Auch hier schafft eine solis- tische Instrumentalbegleitung die nötige Transparenz, und die exzellenten Sänger lassen keine Wünsche offen.«- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
Stabat Mater op. 61 G 532 (Fassung 1800)
- 1 Stabat Mater dolorosa
- 2 Cuius animam gementem
- 3 Quae moerebat et dolebat
- 4 Quis est homo, qui non fleret
- 5 Pro peccatis suae gentis
- 6 Eia Mater, fons amoris
- 7 Tui nati vulnerari
- 8 Virgo virginum praeclara
- 9 Fac ut portem Christi mortem
- 10 Fac me plagis vulnerari
- 11 Quando corpus morietur
Stabat Mater
- 12 Stabat Mater dolorosa
- 13 O quam tristis et afflicta
- 14 Quis est homo, qui non fleret
- 15 Eia Mater, fons amoris
- 16 Sancta Mater, istud agas
- 17 Fac me tecum pie flere
- 18 Virgo virginum praeclara
- 19 Fac me plagis vulerari
- 20 Christe quum sit hinc exire
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Stabat Mater
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