Georg Friedrich Händel: Concerti grossi op.6 Nr.1,5,6,8,10,11
Concerti grossi op.6 Nr.1,5,6,8,10,11
2
Super Audio CDs
SACD (Super Audio CD)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Dank Hybrid-Funktion sind die meisten in unserem Shop mit "SACD" gekennzeichneten Produkte auch auf herkömmlichen CD-Playern abspielbar. Dann allerdings unterscheidet sich der Sound nicht von einer normalen CD. Bei Abweichungen weisen wir gesondert darauf hin (Non-Hybrid).
- Tonformat: stereo/multichannel (Hybrid)
- Künstler: Al Ayre Espanol, Eduardo Banzo
- Label: Challenge, DDD, 2012
- Bestellnummer: 2730310
- Erscheinungstermin: 11.5.2012
Händels Meisterwerke mit spanischer Verve
»Er nimmt die Kieselsteine anderer Männer und poliert sie in Diamanten« pflegte der britische Komponist William Boyce, von G. F Händel zu sagen. Ein wahrer Ausspruch, wenn wir die Vorgehensweise Händels betrachten. Händel verwendete Material seiner Komponisten-Kollegen, die größtenteils seine Freunde waren. Al Ayre Espanol vollbringt die Leistung, uns die bloße Schönheit dieser Musik zu Ohren zu bringen, die sich unter den Händen des Meisters Händel immer in Gold verwandelt: neu oder geliehen! Großartige Konzerte, großartig musiziert!
Something new and something borrowed. In the days that Handel lived, it was common to use an existing melody and make it your own. Handel's Grand Concertos contains a surprising quantity of newly composed material, as well as some borrowings, such as the memories or musical anecdotes, written with intense lyricism and certain sentimentality, previously absent from his instrumental music.
His »operatic« Concerto No. 8, written in the ill-natured, though also lovely, tonality of C minor, is one of the most dramatic in the collection, and concurrently possesses one of the most interesting structures. It starts with a movement based on the main motif of an allemande – »a German piece« – by Johann Mattheson, published in his Pièces de clavecin (London, 1714, the same year as Corelli's concerts).
The Componimenti Musicali by Gottlieb Theophil Muffat, with whom the German composer exchanged music during the 1730s, provide Handel with some ideas from which he builds formidable orchestral movements in these concertos. »He takes other men's pebbles and polishes them into diamonds«, the British composer William Boyce used to say of him. It could not be more true when we observe the use Handel makes of these and other loans. Al Ayre Espanol with this performance makes us aware of the sheer beauty of this music, which always turns into gold in the hands of master Handel: new or borrowed. Grand concertos grandly performed!
»Er nimmt die Kieselsteine anderer Männer und poliert sie in Diamanten« pflegte der britische Komponist William Boyce, von G. F Händel zu sagen. Ein wahrer Ausspruch, wenn wir die Vorgehensweise Händels betrachten. Händel verwendete Material seiner Komponisten-Kollegen, die größtenteils seine Freunde waren. Al Ayre Espanol vollbringt die Leistung, uns die bloße Schönheit dieser Musik zu Ohren zu bringen, die sich unter den Händen des Meisters Händel immer in Gold verwandelt: neu oder geliehen! Großartige Konzerte, großartig musiziert!
Product Information
Something new and something borrowed. In the days that Handel lived, it was common to use an existing melody and make it your own. Handel's Grand Concertos contains a surprising quantity of newly composed material, as well as some borrowings, such as the memories or musical anecdotes, written with intense lyricism and certain sentimentality, previously absent from his instrumental music.
His »operatic« Concerto No. 8, written in the ill-natured, though also lovely, tonality of C minor, is one of the most dramatic in the collection, and concurrently possesses one of the most interesting structures. It starts with a movement based on the main motif of an allemande – »a German piece« – by Johann Mattheson, published in his Pièces de clavecin (London, 1714, the same year as Corelli's concerts).
The Componimenti Musicali by Gottlieb Theophil Muffat, with whom the German composer exchanged music during the 1730s, provide Handel with some ideas from which he builds formidable orchestral movements in these concertos. »He takes other men's pebbles and polishes them into diamonds«, the British composer William Boyce used to say of him. It could not be more true when we observe the use Handel makes of these and other loans. Al Ayre Espanol with this performance makes us aware of the sheer beauty of this music, which always turns into gold in the hands of master Handel: new or borrowed. Grand concertos grandly performed!
Rezensionen
»Al Ayre Español riskiert viel und entdeckt dabei Klangfarben, die man in ihren Extremen bei Händels Concerti grossi nicht erwartet hätte. So seelenvoll und tiefgehend hat man die Händel'sche Musik jedenfalls lange nicht gehört.« (FonoForum, August 2012)»Die wirklich audiophile, abgrundtief präzise Klangqualität der DSD-Produktion verleiht dem Doppelalbum endgültig Referenzstatus.« (stereoplay, September 2012)
- Tracklisting
- Mitwirkende
Disk 1 von 2 (SACD)
- 1 Grand Concerto op. 6 no. 1, in G major
- 2 Grand Concerto op. 6 no. 1, in G major
- 3 Grand Concerto op. 6 no. 1, in G major
- 4 Grand Concerto op. 6 no. 1, in G major
- 5 Grand Concerto op. 6 no. 1, in G major
- 6 Grand Concerto op. 6 no. 8, in c minor
- 7 Grand Concerto op. 6 no. 8, in c minor
- 8 Grand Concerto op. 6 no. 8, in c minor
- 9 Grand Concerto op. 6 no. 8, in c minor
- 10 Grand Concerto op. 6 no. 8, in c minor
- 11 Grand Concerto op. 6 no. 6, in g minor
- 12 Grand Concerto op. 6 no. 6, in g minor
- 13 Grand Concerto op. 6 no. 6, in g minor
- 14 Grand Concerto op. 6 no. 6, in g minor
- 15 Grand Concerto op. 6 no. 6, in g minor
Disk 2 von 2 (SACD)
- 1 Grand Concerto op. 6 no. 10, in d minor
- 2 Grand Concerto op. 6 no. 10, in d minor
- 3 Grand Concerto op. 6 no. 10, in d minor
- 4 Grand Concerto op. 6 no. 10, in d minor
- 5 Grand Concerto op. 6 no. 10, in d minor
- 6 Grand Concerto op. 6 no. 5, in D major
- 7 Grand Concerto op. 6 no. 5, in D major
- 8 Grand Concerto op. 6 no. 5, in D major
- 9 Grand Concerto op. 6 no. 5, in D major
- 10 Grand Concerto op. 6 no. 5, in D major
- 11 Grand Concerto op. 6 no. 11, in A major
- 12 Grand Concerto op. 6 no. 11, in A major
- 13 Grand Concerto op. 6 no. 11, in A major
- 14 Grand Concerto op. 6 no. 11, in A major
- 15 Grand Concerto op. 6 no. 11, in A major
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