Jan Josef Ignac Brentner: Concertos & Arias
Concertos & Arias
Mit weiteren Werken von:
Franz Xaver Brixi (1732-1771)
Mitwirkende:
Hana Blazikova, Jana Semeradova
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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Concerti op. 4 Nr. 1-6 "Horae pomerodoamae seu concertus cammarales"; Arien op. 1 Nr. 2, 5, 12 "Harmonica duodecatometria ecclesiastica"
+Brixi: Graudale a-moll "Tu es Deus"
- Künstler: Hana Blazikova, Collegium Marianum, Jana Semeradova
- Label: Supraphon, DDD, 2003-2009
- Bestellnummer: 3669777
- Erscheinungstermin: 25.9.2009
- Serie: Music From 18th-Century Prague
Ein Meister des Prager Musiklebens
Die Arien- und Konzertsammlung »Horae pomeridianae« des Komponisten Johann Josef Ignaz Brentner wird in der vorliegenden Neuaufnahme komplett vorgestellt. Die Musik dieses großen Meisters des Prager Musiklebens im 18. Jahrhundert, lässt ahnen, dass Brentners Werke zu damaliger Zeit sehr beliebt waren. Seine effektvolle und virtuose Musik wird interpretiert vom Ensemble Collegium Marianum. Die Leiterin und Flötistin Jana Semerádová forscht gemeinsam seit einigen Jahren mit ihren Musikern nach böhmischen Barock-Werken und bringt diese in authentischer Weise zu Gehör.
In the first decades of the 18th century, Prague was a hotbed of musical creativity. Unfortunately, there is a paucity of preserved music sources, among which instrumental music is represented to an even lesser extent. The selection of Jan Josef Ignac Brentner's concertos Hor? pomeridian?, which this recording presents in its complete form for the first time, is an absolute rarity in the given area and was the first-ever instrumental music by a domestic composer published in Prague. However, Brentner's first published opus was Harmonica duodecatomeria ecclesiastica (1716), a selection of sacred arias. With four printed collections, Brentner was undoubtedly the most published domestic composer of his time. Thanks to their being inspired by the Italian musical style, his works spread far beyond the borders - through Jesuit missionaries they even got to the territory of today's Bolivia (!), where several copies have been preserved up to the present day. Brentner, celebrated in his time yet soon forgotten, today rediscovered, richly deserves to be one of the first composers presented within the new series entitled "Music From Eighteenth-Century Prague".
Die Arien- und Konzertsammlung »Horae pomeridianae« des Komponisten Johann Josef Ignaz Brentner wird in der vorliegenden Neuaufnahme komplett vorgestellt. Die Musik dieses großen Meisters des Prager Musiklebens im 18. Jahrhundert, lässt ahnen, dass Brentners Werke zu damaliger Zeit sehr beliebt waren. Seine effektvolle und virtuose Musik wird interpretiert vom Ensemble Collegium Marianum. Die Leiterin und Flötistin Jana Semerádová forscht gemeinsam seit einigen Jahren mit ihren Musikern nach böhmischen Barock-Werken und bringt diese in authentischer Weise zu Gehör.
Product Information:
In the first decades of the 18th century, Prague was a hotbed of musical creativity. Unfortunately, there is a paucity of preserved music sources, among which instrumental music is represented to an even lesser extent. The selection of Jan Josef Ignac Brentner's concertos Hor? pomeridian?, which this recording presents in its complete form for the first time, is an absolute rarity in the given area and was the first-ever instrumental music by a domestic composer published in Prague. However, Brentner's first published opus was Harmonica duodecatomeria ecclesiastica (1716), a selection of sacred arias. With four printed collections, Brentner was undoubtedly the most published domestic composer of his time. Thanks to their being inspired by the Italian musical style, his works spread far beyond the borders - through Jesuit missionaries they even got to the territory of today's Bolivia (!), where several copies have been preserved up to the present day. Brentner, celebrated in his time yet soon forgotten, today rediscovered, richly deserves to be one of the first composers presented within the new series entitled "Music From Eighteenth-Century Prague".
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Harmonica duodecatometria ecclesiastica op. 1 Nr. 1-12 (1716, Prag) / Arien Nr. 5 G-dur (Cor meum tibi dedo)
Horae pomeridianae seu concertos cammerales op. 4 Nr. 1-6 (1720, Prag) / Kammerkonzerte Nr. 3 (B-dur)
- 2 1. Satz: Largo
- 3 2. Satz: Allegro
- 4 3. Satz: Largo
- 5 4. Satz: Allegro
Horae pomeridianae seu concertos cammerales op. 4 Nr. 1-6 (1720, Prag) / Kammerkonzerte Nr. 1 (g-moll)
- 6 1. Satz: Largo
- 7 2. Satz: Allegro
- 8 3. Satz: Bourree
- 9 4. Satz: Capriccio. Presto
Harmonica duodecatometria ecclesiastica op. 1 Nr. 1-12 (1716, Prag) / Arien Nr. 12 (O Deus, ego amo Te)
- 10 Sonata
- 11 O Deus, ego amo te
Horae pomeridianae seu concertos cammerales op. 4 Nr. 1-6 (1720, Prag) / Kammerkonzerte Nr. 6 (c-moll)
- 12 1. Satz: Largo
- 13 2. Satz: Allegro
- 14 3. Satz: Menuet
- 15 4. Satz: Gigue
Horae pomeridianae seu concertos cammerales op. 4 Nr. 1-6 (1720, Prag) / Kammerkonzerte Nr. 4 (G-dur)
- 16 1. Satz: Largo
- 17 2. Satz: Allegro. Vigil nocturnus - Die Nachtwächter
- 18 3. Satz: Menuet
- 19 Harmonica duodecatometria ecclesiastica op. 1 Nr. 1-12 (1716, Prag) / Arien Nr. 2 c-moll (Ubi Jesu)
Horae pomeridianae seu concertos cammerales op. 4 Nr. 1-6 (1720, Prag) / Kammerkonzerte Nr. 5 (F-dur)
- 20 1. Satz: Largo
- 21 2. Satz: Allegro
- 22 3. Satz: Capriccio. Trio
Horae pomeridianae seu concertos cammerales op. 4 Nr. 1-6 (1720, Prag) / Kammerkonzerte Nr. 2 (d-moll)
- 23 1. Satz: Adagio
- 24 2. Satz: Allegro
- 25 3. Satz: Largo
- 26 4. Satz: Menuet
- 27 Tu es Deus (Prag 1735) (Graduale a-moll)
