Felix Mendelssohn Bartholdy: Sämtliche Solokonzerte
Sämtliche Solokonzerte
Ronald Brautigam, Roland Pöntinen, Isabelle van Keulen, Love Derwinger, Nieuw Sinfonietta Amsterdam, Lev Markiz
Super Audio CD Non-Hybrid
SACD Non-Hybrid (Super Audio CD Non-Hybrid)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Non-hybride SACDs lassen sich nur auf einem SACD-Player abspielen. Sie sind nicht kompatibel mit anderen Abspielgeräten (CD-Player, DVD-Player, Blu-ray-Player).
- Klavierkonzerte Nr. 1 & 2; Konzert für Klavier & Streicher in a; Konzerte in E & As für 2 Klaviere; Capriccio brillant op. 22 für Klavier & Orchester; Rondo brillant op. 29 für Klavier & Orchester; Serenade & Allegro giocoso op. 43 für Klavier & Orchester; Konzert für Violine & Klavier in d; Violinkonzert op. 64; Konzert für Violine & Streicher in d
- Tonformat: stereo (nur abspielbar auf SACD-Playern)
- Künstler: Ronald Brautigam, Roland Pöntinen, Isabelle van Keulen, Love Derwinger, Nieuw Sinfonietta Amsterdam, Lev Markiz
- Label: BIS, DDD, 1994-1997
- Bestellnummer: 8160733
- Erscheinungstermin: 29.1.2008
Weitere Ausgaben von Sämtliche Solokonzerte
By using the superior storage capacity of the Super Audio CD for stereo content only, and not including a surround mix, it is possible to produce discs with a playing time much in excess of the common CD. BIS has made use of this option before, releasing the complete organ music by Bach – with a duration of more than 20 hours – as a five-disc set (BIS-SACD-1527 / 28). Now the turn has come to the Complete Concertos by Mendelssohn, originally released between 1995 and 1998 on four CDs, but here collected on a single SACD.
If the String Symphonies, collected on the accompanying release BIS-SACD-1738, are the works by the young Mendelssohn on the way to becoming a fully-fledged composer, the concertos give a more all-round picture of the composer. Beginning in 1822, when he composed the Concerto in D minor for Violin and the Concerto in A minor for Piano, Mendelssohn kept returning to the concertante format throughout his life, until the great E minor Violin Concerto, written three years before his death, in 1844. Between these works can be found the two rarely heard Concertos for Two Pianos – youthful, but surprisingly mature works – as well as his two piano concertos Opp 25 and 40, and three concert pieces for piano and orchestra. Soloist in these is Ronald Brautigam, who will be well-known for his acclaimed surveys of the solo piano music of Haydn, Mozart and Beethoven. Isabelle van Keulen takes on the works involving solo violin, and was at the time of the original release described as ‘a winning soloist with a soft tone like the finest-spun silk – plus strength to match, when required’ (Gramophone). Swedish pianists Roland Pöntinen and Love Derwinger partner each other in the concertos for two pianos, virtuosic works first performed by Felix and his sister Fanny. The accompaniments throughout are provided by Amsterdam Sinfonietta, under Lev Markiz, and were characterized as ‘both polished and warmly supportive’ (Gramophone).
If the String Symphonies, collected on the accompanying release BIS-SACD-1738, are the works by the young Mendelssohn on the way to becoming a fully-fledged composer, the concertos give a more all-round picture of the composer. Beginning in 1822, when he composed the Concerto in D minor for Violin and the Concerto in A minor for Piano, Mendelssohn kept returning to the concertante format throughout his life, until the great E minor Violin Concerto, written three years before his death, in 1844. Between these works can be found the two rarely heard Concertos for Two Pianos – youthful, but surprisingly mature works – as well as his two piano concertos Opp 25 and 40, and three concert pieces for piano and orchestra. Soloist in these is Ronald Brautigam, who will be well-known for his acclaimed surveys of the solo piano music of Haydn, Mozart and Beethoven. Isabelle van Keulen takes on the works involving solo violin, and was at the time of the original release described as ‘a winning soloist with a soft tone like the finest-spun silk – plus strength to match, when required’ (Gramophone). Swedish pianists Roland Pöntinen and Love Derwinger partner each other in the concertos for two pianos, virtuosic works first performed by Felix and his sister Fanny. The accompaniments throughout are provided by Amsterdam Sinfonietta, under Lev Markiz, and were characterized as ‘both polished and warmly supportive’ (Gramophone).
- Tracklisting
- Details
Disk 1 von 1 (SACD Non-Hybrid)
Konzert für Violine und Orchester e-moll op. 64
- 1 1. Allegro con fuoco
- 2 2. Andante
- 3 3. Allegretto non troppo - Allegro molto vivace
Konzert für Violine und Streichorchester d-moll
- 4 1. Allegro molto
- 5 2. Andante
- 6 3. Allegro
Konzert für Violine, Klavier und Streicher d-moll
- 7 1. Allegro
- 8 2. Adagio
- 9 3. Allegro molto
- 10 Konzertstück für Klavier und Orchester h-moll op. 22 "Capriccio brillante"
- 11 Rondo brilliant Es-Dur op. 29
- 12 Serenade und Allegro giocoso h-moll op. 43
Konzert für Klavier und Streichorchester a-moll
- 13 1. Allegro
- 14 2. Adagio
- 15 3. Finale: Allegro ma non troppo
Konzert für Klavier und Orchester Nr. 1 g-moll op. 25
- 16 1. Molto allegro con fuoco
- 17 2. Andante
- 18 3. Presto
Konzert für Klavier und Orchester Nr. 2 d-moll op. 40
- 19 1. Allegro appassionato
- 20 2. Adagio - Molto sostenuto
- 21 3. Finale: Presto scherzando
Konzert für 2 Klaviere und Orchester E-Dur
- 22 1. Allegro vivace
- 23 2. Adagio non troppo
- 24 3. Allegro
Konzert für 2 Klaviere und Orchester As-Dur
- 25 1. Allegro vivace
- 26 2. Andante
- 27 3. Allegro vivace
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