Erich Wolfgang Korngold: Streichquartette Nr.1-3 (CD)

Erich Wolfgang Korngold (1897-1957)

Streichquartette Nr.1-3

CD

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

Erich Wolfgang Korngold (1897-1957): Streichquartette Nr.1-3, CD

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EUR 19,99*

Verlängerter Rückgabezeitraum bis 31. Januar 2025

Alle zur Rückgabe berechtigten Produkte, die zwischen dem 1. bis 31. Dezember 2024 gekauft wurden, können bis zum 31. Januar 2025 zurückgegeben werden.

Versandkosten

Künstler: Doric String Quartet
Label: Chandos, DDD, 2010
Bestellnummer: 1139185
Erscheinungstermin: 24.9.2010

Product Information

The Doric String Quartet is now firmly established as one of the outstanding quartets of its generation. Now in its eleventh season, it regularly performs at major festivals and venues throughout the UK as well as abroad in continental Europe and Asia. This is the Quartet’s debut CD on Chandos as exclusive artists.

Most famous for his lushly romantic film scores, Erich Wolfgang Korngold wrote a quantity of music for the concert hall, the stage, as well as three highly individual string quartets between the years 1920 and 1945. Korngold was one of the great prodigies in the history of classical music, and by the time he started work on his First String Quartet (completed 1923), he had already written what many consider to be his magnum opus, the opera Die tote Stadt.

The three quartets range widely in style and are all very appealing. The First is notable for its strikingly adventurous harmony, the Second (1933) for its sheer wealth of melodic appeal, whilst the Third (1945) uses material from his film scores, and is as varied and dramatic as many of the films which he scored.

‘This is an ensemble, young but mature of insight, that plays Haydn’s music with spirit, illuminating its blend of wit and sophistication, grace and vivacity, cunning and seemingly effortless spontaneity… The Doric’s performances, without exaggeration but with just the right degree of elucidation, revealed the music’s extraordinary originality and the way that Haydn can explore the potential of his thematic material so thoroughly yet so artlessly… Unequivocally, these were performances of terrific panache and perception, seeming to get right under the skin of Haydn’s creative genius.’ - The Sunday Telegraph, 18 January 2009

‘Great wisdom and no self-indulgence’ - The Strad - 2008

Rezensionen

"There’s very little competition for this music, which is a shame because these are excellent quartets... These quartets are quite difficult to play, the first especially, which features frequent changes of tempo, often within a few bars. The Doric players handle all of these with astonishing ease and naturalness... Excellent sonics complement this obvious first choice for this music. If you don’t know these pieces, you should. There’s much more to Korngold than you might think--check out the wonderfully spiky scherzo in the Third quartet for a particularly bracing "fact check" on his theoretically unabashedly late-Romantic style. ... An important release for chamber music devotees, and a terrific example of first-rate quartet playing. David Hurwitz - ClassicsToday. com - 29 May 2011

“...The performances and interpretations are the last word in sympathy, precision, and beauty of tone. This release is Exhibit A in defence of the intelligence of a composer too often maligned for writing music that people can actually enjoy.” Don O’Connor – American Record Guide – March / April 2011

"...The Doric Quartet plays with great refinement and energy ..." Jonathan Woolf
Fanfare - March / April 2011

"...The Dorics have made this music their own." Greg Keane - Limelight Magazine - 19 January 2011

Rezensionen

FonoForum 02/11: "Die Interpreten tragen nie zu dick auf, sondern musizieren dezent, ohne dabei kühl zu wirken. Ihre Expressivität leuchtet oft nach innen, wie etwa in den herrlichen langsamen Sätzen. Vor allem dort - beispielsweise im Larghetto aus dem zweiten Quartett oder im extrem langsam gesungenen Sostenuto des dritten - streichen die Briten mit einer feineren Raffinesse als die Kollegen vom Aron-Quartett. Da entfalten sie eine Fülle an geheimnisvoll flüsternden, sanft säuselnden oder auch goldwarmen Klangfarben."