Christoph Pregardien - Wanderer
Christoph Pregardien - Wanderer
Mit Werken von:
Robert Schumann (1810-1856)
, Wilhelm Killmayer (1927-2017)
, Gustav Mahler (1860-1911)
, Arnold Schönberg (1874-1951)
Mitwirkende:
Christoph Pregardien, Ensemble Kontraste
Super Audio CD
SACD (Super Audio CD)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Dank Hybrid-Funktion sind die meisten in unserem Shop mit "SACD" gekennzeichneten Produkte auch auf herkömmlichen CD-Playern abspielbar. Dann allerdings unterscheidet sich der Sound nicht von einer normalen CD. Bei Abweichungen weisen wir gesondert darauf hin (Non-Hybrid).
-
Schumann / Reissenberger: Lieder für Tenor & Kammerensemble; Bunte Blätter (Ausz.) in der Bearbeitung für Klavier & Kammerensemble
+Killmayer: Lieder für Tenor & Kammerensemble
+Mahler / Schönberg: Lieder eines fahrenden Gesellen
+Schumann / Reissenberger: 4 Stücke aus Waldszenen op. 82 für Kammerensemble - Tonformat: stereo & multichannel (Hybrid)
- Künstler: Christoph Pregardien, Ensemble Kontraste
- Label: Challenge, DDD, 2011
- Bestellnummer: 1157222
- Erscheinungstermin: 27.9.2011
Reizvolle Lied-Bearbeitungen für Tenor und kleines Ensemble
Aus der regelmäßigen Zusammenarbeit von Christoph Prégardien mit dem Ensemble Kontraste (Nürnberg) entstand das klug zusammen gestellte ’Wanderer’-Projekt, welches Lieder von Schumann, Killmayer und Mahler in Bearbeitungen für kleines Ensemble präsentiert. So intensiv und farbenreich erklingen diese Werke selten.
Not even our contemporary inclination towards ‘authenticity’ and ‘loyalty to the composer’s intentions’ has been able to stop the trend of adapting scores for a different instrumentation than what the composer originally had in mind. The rapidly growing number of smallish ensembles with combinations of instruments for which very little music is available has even proved to be an added incentive in this direction, leading towards a new development within classical music. Not infrequently, a particular interest is shown in lieder which were originally written for solo voice with piano accompaniment. Sometimes the composers themselves put a small instrumental ensemble or even a complete symphony orchestra in the place of the original piano part, but it is not unusual for others to undertake this task.
One of the composers who adapted a piano score for a complete orchestra was Gustav Mahler (1860-1911), and the orchestration for his Lieder eines fahrenden Gesellen (Songs of a Wayfarer, written in 1883-1885) followed the piano version so quickly that the very first performance in 1886 immediately featured the orchestra. In 1920, Arnold Schoenberg created a new version for flute, clarinet, harmonium, piano, string quintet and percussion, and this instrumentation was taken by the ensemble Kontraste as the starting point for a project called Wanderer, in collaboration with the tenor Christoph Prégardien. It revolves around Mahler’s Lieder eines fahrenden Gesellen as well as sixteen lieder by Robert Schumann, which were arranged for this project by Marcus Reiβenberger. The idea was to retain the liveliness heard in the piano accompaniment while at the same time creating an instrumental colour palette that far surpassed it. A sort of intermezzo is formed by four lieder by contemporary composer Wilhelm Killmayer, who wrote his own instrumentation to fit in with the idiom used in the lieder of Mahler and Schumann. (from the linernotes written by Paul Korenhof)
Aus der regelmäßigen Zusammenarbeit von Christoph Prégardien mit dem Ensemble Kontraste (Nürnberg) entstand das klug zusammen gestellte ’Wanderer’-Projekt, welches Lieder von Schumann, Killmayer und Mahler in Bearbeitungen für kleines Ensemble präsentiert. So intensiv und farbenreich erklingen diese Werke selten.
Product Information
Not even our contemporary inclination towards ‘authenticity’ and ‘loyalty to the composer’s intentions’ has been able to stop the trend of adapting scores for a different instrumentation than what the composer originally had in mind. The rapidly growing number of smallish ensembles with combinations of instruments for which very little music is available has even proved to be an added incentive in this direction, leading towards a new development within classical music. Not infrequently, a particular interest is shown in lieder which were originally written for solo voice with piano accompaniment. Sometimes the composers themselves put a small instrumental ensemble or even a complete symphony orchestra in the place of the original piano part, but it is not unusual for others to undertake this task.
One of the composers who adapted a piano score for a complete orchestra was Gustav Mahler (1860-1911), and the orchestration for his Lieder eines fahrenden Gesellen (Songs of a Wayfarer, written in 1883-1885) followed the piano version so quickly that the very first performance in 1886 immediately featured the orchestra. In 1920, Arnold Schoenberg created a new version for flute, clarinet, harmonium, piano, string quintet and percussion, and this instrumentation was taken by the ensemble Kontraste as the starting point for a project called Wanderer, in collaboration with the tenor Christoph Prégardien. It revolves around Mahler’s Lieder eines fahrenden Gesellen as well as sixteen lieder by Robert Schumann, which were arranged for this project by Marcus Reiβenberger. The idea was to retain the liveliness heard in the piano accompaniment while at the same time creating an instrumental colour palette that far surpassed it. A sort of intermezzo is formed by four lieder by contemporary composer Wilhelm Killmayer, who wrote his own instrumentation to fit in with the idiom used in the lieder of Mahler and Schumann. (from the linernotes written by Paul Korenhof)
Rezensionen
Audio 01/12: »Statt eines kleinen Orchesters kommt hier eine Minimalbesetzung zum Zuge, die, wo notwendig, dem Klavier die dominante Rolle zukommen lässt, und Klangfarben nie um ihrer selbst willen einsetzt. Zugleich harmoniert und interagiert man mit dem Tenor wendig und behände wie ein Klavierbegleiter. Pregardien zeigt sich gereift, stimmlich in Bestform, enthält sich dabei aber jeder Kraftmeierei und Schönsingerei, sondern entwickelt die Lieder mit einer Natürlichkeit und Durchdringung, die ihresgleichen sucht. Ein Liederabend für die Ewigkeit.«- Tracklisting
- Mitwirkende
Disk 1 von 1 (SACD)
- 1 Christoph Pregardien: Arrangements For Small Ensemble
- 2 Christoph Pregardien: Arrangements For Small Ensemble
- 3 Christoph Pregardien: Arrangements For Small Ensemble
- 4 Christoph Pregardien: Arrangements For Small Ensemble
- 5 Christoph Pregardien: Arrangements For Small Ensemble
- 6 Christoph Pregardien: Arrangements For Small Ensemble
- 7 Christoph Pregardien: Arrangements For Small Ensemble
- 8 Christoph Pregardien: Arrangements For Small Ensemble
- 9 Christoph Pregardien: Arrangements For Small Ensemble
- 10 Christoph Pregardien: Arrangements For Small Ensemble
- 11 Christoph Pregardien: Arrangements For Small Ensemble
- 12 Christoph Pregardien: Arrangements For Small Ensemble
- 13 Christoph Pregardien: Arrangements For Small Ensemble
- 14 Christoph Pregardien: Arrangements For Small Ensemble
- 15 Christoph Pregardien: Arrangements For Small Ensemble
- 16 Christoph Pregardien: Arrangements For Small Ensemble
- 17 Christoph Pregardien: Arrangements For Small Ensemble
- 18 Christoph Pregardien: Arrangements For Small Ensemble
- 19 Christoph Pregardien: Arrangements For Small Ensemble
- 20 Christoph Pregardien: Arrangements For Small Ensemble
- 21 Christoph Pregardien: Arrangements For Small Ensemble By Arnold Schonberg
- 22 Christoph Pregardien: Arrangements For Small Ensemble
- 23 Christoph Pregardien: Arrangements For Small Ensemble
- 24 Christoph Pregardien: Arrangements For Small Ensemble
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