The Raincoats: Looking In The Shadows (CD)

The Raincoats

Looking In The Shadows

CD

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

The Raincoats: Looking In The Shadows, CD

lieferbar innerhalb 1-2 Wochen
(soweit verfügbar beim Lieferanten)

EUR 15,99*

Verlängerter Rückgabezeitraum bis 31. Januar 2025

Alle zur Rückgabe berechtigten Produkte, die zwischen dem 1. bis 31. Dezember 2024 gekauft wurden, können bis zum 31. Januar 2025 zurückgegeben werden.

Versandkosten

Label: We Three, 1996
Bestellnummer: 10364753
Erscheinungstermin: 11.12.2020

Album digital in HD (Werbung)

Product Information

We Three announce a release of 400 original CDs, unavailable for 20 years, on 11 December. The Raincoats have offered creative and spiritual inspiration for several generations of artists such as John Lydon, Kim Gordon, Kurt Cobain, Carrie Brownstein, Bikini Kill, Angel Olsen... In 1979, The Raincoats helped shape the timeless notion that punk is what you make it to be - an act of raw expression, not any one sound. Their anarchy was poetic. The group's debut album 'The Raincoats', which Kurt Cobain called "wonderfully classic scripture", was released by Rough Trade Records at its radical beginnings.

In 1992, Kurt's meeting with Ana da Silva sparked a much-documented relationship with The Raincoats, bringing them back together to play live on Nirvana's final tour that never was, and inspiring Ana da Silva and Gina Birch to write 'Looking in the shadows', their final album, released in 1996 on Rough Trade Records and DGC. Original CD release from Rough Trade Records in 1996. Recorded at Trident II in August 1995. Produced and mixed by Ed Buller. Backing vocals on 'Love a loser' by Buzzcocks' Pete Shelley. Video of 'Don't Be Mean' directed by Gina Birch. "It was The Raincoats I related to most. They seemed like ordinary people playing extraordinary music. Music that was natural that made room for cohesion of personalities. They had enough confidence to be vulnerable and to be themselves without having to take on the mantle of male rock / punk rock aggression_or the typical female as sex symbol avec irony or sensationalism". Kim Gordon_