John Cale: Conflict & Catalysis
Conflict & Catalysis
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
lieferbar innerhalb einer Woche
(soweit verfügbar beim Lieferanten)
(soweit verfügbar beim Lieferanten)
EUR 15,99*
Verlängerter Rückgabezeitraum bis 31. Januar 2025
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- Label: Ace, 1966-2006
- Bestellnummer: 1924404
- Erscheinungstermin: 27.2.2012
- Gesamtverkaufsrang: 10502
- Verkaufsrang in CDs: 4936
Nachdem Ace in jüngerer Vergangenheit bereits Produzenten-Größen wie
Jack Nitzsche, Jerry Ragovoy, Kim Fowley, Phil Spector, Brian Wilson
oder Martin Hannett mit erstklassigen Compilations gewürdigt hat, nimmt
man sich nun einem weiteren Schwerkaliber an: John Cale! In New York
arbeitete der studierte Musiker mit John Cage und La Monte Young,
bevor er mit Lou Reed 1965 The Velvet Underground gründete.
1968 verließ er die Band und tritt seitdem als Solokünstler und Produzent
in Erscheinung. Auf Nick Drakes Album ‘Bryter Layter‘ (1970)
wirkte er als Gastmusiker mit. Weiterhin arbeitete er unter anderem mit
Patti Smith (als Produzent) und Brian Eno (ex-Roxy Music) zusammen.
Er produzierte auch Nico, Sängerin auf dem ersten Velvet-Underground-
Album, sowie The Stooges oder später Squeeze, Element Of Crime oder
die Happy Mondays. Der 20 tracker (75 Min. Spielzeit) widmet sich
Cales 40-jähriger Karriere als Produzent mit vielen Höhepunkten: Die
umfangreichen Linernotes stammen von Mick Patrick und Neil Dell.
Film directors have always been lionised by their industry and by fans who made household names of Ford, Hitchcock and Spielberg. On the other hand, Phil Spector notwithstanding, record producers have by-and-large laboured in near-anonymity outside the music business and the most devoted of followers. To help remedy that situation, a few years back, we instigated our Producers series, spotlighting the studio outputs of Jack Nitzsche, Jerry Ragovoy, Bert Berns, Kim Fowley, Brian Wilson, Martin Hammet and other visionaries who lived to bring the sounds in their heads to the grooves of a record. Another master of the art is John Cale.
Cale’s career has many facets. Since leaving the Velvet Underground in 1968, he has released over two-dozen solo albums – their scope ranging from minimalism, through guitar-based rock to full-scale orchestral. A tireless live performer, he is currently readying a new album for release, having not long returned from a tour of Europe. As a multi-instrumentalist who thrives on collaboration, he has contributed to recordings by William Burroughs, Nick Drake, LCD Soundsystem, La Monte Young and very many others. He has also composed the scores for several ballets, an opera and many films. In the Queen’s Birthday Honours List of 2010 he was appointed Officer of the Order of the British Empire. On receiving his decoration from the Prince of Wales at Buckingham Palace that November, he commented, “Someone has decided that you have done something right, and it is your job to figure out what that is.”
Here on “Conflict & Catalysis” the focus is on Cale the producer. Spanning 40 years, the collection contains everything from the proto-punk of the Stooges and the Modern Lovers to Euro-pop princess Lio and no-wave enigma Cristina and comes with a stylish 28-page booklet which includes a 9000-word essay incorporating specially commissioned memoirs from several of the featured performers.
Noted for his unconventional and sometimes challenging working methods, Cale wrote in his autobiography that “as a producer, you’ve got to be a catalyst, an ally, a co-conspirator. Sometimes you need to introduce conflict. I always try to approach it from the point of view, what would a Zen master do in these circumstances? That is not to give the artist a direct answer to all his questions, but to suggest a solution by other means. I really love producing other artists. I love helping someone achieve his goals. You’ve got to stick to what you believe in. It might be lucrative for me to work with a particular personality, but if I don’t feel sympathetic to what he’s doing, I’m just letting myself down. You lose all your credibility if you do that.”
By Mick Patrick
(acerecords. co. uk)
Product Information
Film directors have always been lionised by their industry and by fans who made household names of Ford, Hitchcock and Spielberg. On the other hand, Phil Spector notwithstanding, record producers have by-and-large laboured in near-anonymity outside the music business and the most devoted of followers. To help remedy that situation, a few years back, we instigated our Producers series, spotlighting the studio outputs of Jack Nitzsche, Jerry Ragovoy, Bert Berns, Kim Fowley, Brian Wilson, Martin Hammet and other visionaries who lived to bring the sounds in their heads to the grooves of a record. Another master of the art is John Cale.
Cale’s career has many facets. Since leaving the Velvet Underground in 1968, he has released over two-dozen solo albums – their scope ranging from minimalism, through guitar-based rock to full-scale orchestral. A tireless live performer, he is currently readying a new album for release, having not long returned from a tour of Europe. As a multi-instrumentalist who thrives on collaboration, he has contributed to recordings by William Burroughs, Nick Drake, LCD Soundsystem, La Monte Young and very many others. He has also composed the scores for several ballets, an opera and many films. In the Queen’s Birthday Honours List of 2010 he was appointed Officer of the Order of the British Empire. On receiving his decoration from the Prince of Wales at Buckingham Palace that November, he commented, “Someone has decided that you have done something right, and it is your job to figure out what that is.”
Here on “Conflict & Catalysis” the focus is on Cale the producer. Spanning 40 years, the collection contains everything from the proto-punk of the Stooges and the Modern Lovers to Euro-pop princess Lio and no-wave enigma Cristina and comes with a stylish 28-page booklet which includes a 9000-word essay incorporating specially commissioned memoirs from several of the featured performers.
Noted for his unconventional and sometimes challenging working methods, Cale wrote in his autobiography that “as a producer, you’ve got to be a catalyst, an ally, a co-conspirator. Sometimes you need to introduce conflict. I always try to approach it from the point of view, what would a Zen master do in these circumstances? That is not to give the artist a direct answer to all his questions, but to suggest a solution by other means. I really love producing other artists. I love helping someone achieve his goals. You’ve got to stick to what you believe in. It might be lucrative for me to work with a particular personality, but if I don’t feel sympathetic to what he’s doing, I’m just letting myself down. You lose all your credibility if you do that.”
By Mick Patrick
(acerecords. co. uk)
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Venus in furs
- 2 I Wanna Be Your Dog (John Cale Mix)
- 3 In excelsis deo / Gloria
- 4 Afraid
- 5 Pablo Picasso
- 6 Who is that saving me
- 7 Re-bop
- 8 Disco clone
- 9 Italian sea
- 10 No King
- 11 Sex master
- 12 Take your place
- 13 Kuff Dam
- 14 Runaway child (Minors beware)
- 15 Omnes gentes plaudite (The drinking song)
- 16 Needles for teeth
- 17 Scorch
- 18 Dallas
- 19 Tearing apart
- 20 Spinning away
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John Cale
Conflict & Catalysis
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