Violasonaten Nr. 1 & 2 opp. 18 & 22; Romanzen Des-Dur & A-Dur; Fantasia für 4 Violen op. 41 Nr. 1; Fantasie op. 54; Allegro de concert; Melody for the G String op. 47; Melody for the C string op. 51 Nr. 2; Rhapsodie g-moll
+Beethoven / Bowen: Adagio sostenuto (1.Satz) aus der Mondscheinsonate
Künstler: Lawrence Power (Viola),Simon Crawford-Phillips (Klavier)
‘Power is a latter-day Orpheus, an expression of music’s power to disarm, encourage, soothe and serenade’ (Financial Times).
This recent appraisal of Lawrence Power affirms his status as one of the foremost violists of today, the heir to the long and honoured tradition of Lionel Tertis and William Primrose. His unwavering musical eloquence and brilliant technical ability have consistently drawn the highest praise for all his recordings and performances. His renditions of viola concertos by Walton, Rubbra, Cecil Forsyth and York Bowen have been acclaimed as benchmark recordings. He now presents a fascinating double-album of York Bowen’s viola music: a selection that fully demonstrates the great artistry of the composer known as the ‘English Rachmaninov’.
Bowen first came under the spell of the viola player Lionel Tertis when a student at the Royal Academy of Music. He responded to Tertis’s unprecedented virtuosity and large tone with two sonatas, a concerto and many shorter pieces. He continued to write works for Tertis throughout his life, all of which are recorded here, and they display the sort of extraordinary technical challenges which prove what an amazing virtuoso he was.
'Composers whose rich romanticism was out of favour among 20th-century pundits who favoured angular austerity are finally receiving their due. Bowen believed the viola sounded more attractive than the violin and has a persuasive advocate in Power' (Classical Music Magazine)
'All the pieces show Bowen's love of the instrument's capacity to unfold long-limbed, rhapsodic melodies … Lawrence Power's richly expressive moulding of them is a rare treat in itself' (The Guardian)
'Following his successful recording of Bowen's Concerto, Lawrence Power turns to this repertoire with similar technical ease, and persuasively idiomatic tempo inflections and portamenti' (BBC Music Magazine)
'The viola … has no better exponent than Lawrence Power … We must be very grateful that his music is now in wide circulation again … A real discovery' (Liverpool Daily Post)