Heinrich Wilhelm Ernst: 6 Mehrstimmige Etüden für Violine solo
6 Mehrstimmige Etüden für Violine solo
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- +Grand Caprice op. 26 über Schuberts "Erlkönig" für Violine solo; Fantaisie brillante op. 11 sur la Marche et la Romance d'Otello de G. Rossini für Violine & Klavier; Elegie sur la mort d'un object cheri op. 10 für Violine & Klavier
- Künstler: Ilya Gringolts (Violine),Ashley Wass (Klavier)
- Label: Hyperion, DDD, 2007
- Bestellnummer: 7386617
- Erscheinungstermin: 28.3.2008
Der russische Geiger Ilya Gringolts präsentiert eine repräsentative Auswahl aus Heinrich Wilhelm Ernsts Werk für Violine solo, so etwa die Grand Caprice op. 26 »Der Erlkönig«, die in ihrer großartigen Dramatik in der unbegleiteten Violinliteratur einzigartig dasteht. Gringolts, für seine technische Brillanz und inspirierenden Interpretationen von der Kritik gefeiert, ist der ideale Interpret für diese schillernden Werke.
As virtuoso violinist, the Moravian Heinrich Wilhelm Ernst was a legend in his own lifetime. He died before the era of sound-recording, and his personal wizardry and magnetism can only dimly be recaptured in the written testimony of his contemporaries. Yet to a significant extent it lives on in his own works for his instrument: for he was a composer who significantly extended the boundaries and meaning of bravura technique. Unfortunately Ernst has long been the preserve of violin specialists only—unjustly, considering his quality as a musical thinker. As a composer Ernst combined the reckless virtuosity of Paganini and Liszt with a sure instinct for musical substance, putting transcendent violin technique at the service of something more than mere display. The brilliant Russian violinist Ilya Gringolts, acclaimed for his technical brilliance and inspired interpretations of a range of repertoire, is the ideal performer of these dazzlingly difficult works. He has made many distinguished recordings for Deutsche Grammophon and BIS; this is his first recording for Hyperion. He is partnered by fellow former BBC New Generation Artist Ashley Wass.
'[Ernst] His playing and his compositions astonished and delighted thousands. His transcription of Schubert's Erlkönig, played here with fiery vehemence by the young Russian violinist Ilya Gringolts, is a demonic tour de force worthy of Pagannini himself' (Sunday Times)
'No one has come close to equalling the technical prowess and musicality that Gringolts displays here' (Classic FM Magazine)
'Violinists will marvel at the astonishing ability of Ilya Gringolts in getting his fingers around this music with pianist Ashley Wass' (Liverpool Daily Post)
'Blessings on Ilya Gringolts for having the cojones, as well as the fingers, to record Ernst's Six Polyphonic Studies for Solo Violin … The performances are among the greatest displays of virtuosity I have ever heard. Gringolts even supasses his teacher Itzhak Perlman in the magic fingers department' (American Record Guide)
Product-Information:
As virtuoso violinist, the Moravian Heinrich Wilhelm Ernst was a legend in his own lifetime. He died before the era of sound-recording, and his personal wizardry and magnetism can only dimly be recaptured in the written testimony of his contemporaries. Yet to a significant extent it lives on in his own works for his instrument: for he was a composer who significantly extended the boundaries and meaning of bravura technique. Unfortunately Ernst has long been the preserve of violin specialists only—unjustly, considering his quality as a musical thinker. As a composer Ernst combined the reckless virtuosity of Paganini and Liszt with a sure instinct for musical substance, putting transcendent violin technique at the service of something more than mere display. The brilliant Russian violinist Ilya Gringolts, acclaimed for his technical brilliance and inspired interpretations of a range of repertoire, is the ideal performer of these dazzlingly difficult works. He has made many distinguished recordings for Deutsche Grammophon and BIS; this is his first recording for Hyperion. He is partnered by fellow former BBC New Generation Artist Ashley Wass.
Rezensionen
'[Ernst] His playing and his compositions astonished and delighted thousands. His transcription of Schubert's Erlkönig, played here with fiery vehemence by the young Russian violinist Ilya Gringolts, is a demonic tour de force worthy of Pagannini himself' (Sunday Times)
'No one has come close to equalling the technical prowess and musicality that Gringolts displays here' (Classic FM Magazine)
'Violinists will marvel at the astonishing ability of Ilya Gringolts in getting his fingers around this music with pianist Ashley Wass' (Liverpool Daily Post)
'Blessings on Ilya Gringolts for having the cojones, as well as the fingers, to record Ernst's Six Polyphonic Studies for Solo Violin … The performances are among the greatest displays of virtuosity I have ever heard. Gringolts even supasses his teacher Itzhak Perlman in the magic fingers department' (American Record Guide)
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Fantaisie brilliante sur la Marche et la Romance d'Otello de G. Rossini op. 11
Mehrstimmige Etüden Nr. 1-6
- 2 1. Rondino scherzo: Con spirito
- 3 2. Allegretto: Con grazia
- 4 3. Terzetto: Allegro moderato e tranquillo
- 5 4. Allegro risoluto
- 6 5. Air de Ballet: Allegretto con giusto
- 7 6. Die letzte Rose (Variationen über "The Last Rose Of Summer"): Introduction: Moderato - Theme: Andante non troppo
- 8 Variation 1
- 9 Variation 2
- 10 Variation 3
- 11 Variation 4: Poco più vivo
- 12 Finale
- 13 Élegie sur la mort d'un objet chéri op. 10
- 14 Erlkönig op. 26 (Grand Caprice)
