Milt Jackson: That's The Way It Is (Ltd. Edition)
That's The Way It Is (Ltd. Edition)
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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- Label:
- Impulse, 2008
- UPC/EAN:
- 4988005451958
- Erscheinungstermin:
- 28.11.2008
Weitere Ausgaben von That's The Way It Is |
Preis |
|---|---|
| CD, (SHM-CD), Japan-Import | EUR 17,99* |
Album digital in HD (Werbung)
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+ Teddy Edwards, Monty Alxander, Ray Brown u.a.
This afternoon’s question is: why do Milty Jackson and Ray Brown meet once a year for a two-week engagement at Shelly’s Manne-Hole? Can it be that jazz-club bread is suddenly thrilling? In a word, no. Can it be that Bags and Ray are suddenly un-busy? In Los Angeles, the only people harder to reach than Ray Brown are (!) his answering service, and (2) your plumber when the basement floods at 4 AM. As for Bags, he’s never had to come West for work.
There’s only one reason for a gig like this: the pleasure of making music. And that is the quality that pops out at you from this recording, made live at Shelly’s.
The group is rounded out by gentleman tenor-saxophonist Teddy Edwards, plus two youngbloods: pianist Monty Alexander, the jolly Jamaican with the inadvertent gift for pleasing crowds as well as musicians, and drummer Dick Berk, who has enhanced such groups as those of Mose Allison, Herbie Mann and Charlie Mingus.
Please take special note of Tenderly and let me know if there is any other bassist in the world besides Ray Brown who can perform it as a nine-minute solos of purely musical yet almost conversational proportions.
This is not experimental jazz. It’s beyond that, or as they say in New York, outside that. This is the solid, rooted, sweet-smelling earth of an enduring style, as played by its masters. Do you ever wonder why jazz hangs on in the rock-n-roll face of popular adversity? This album is why. Would I lie?
There’s only one reason for a gig like this: the pleasure of making music. And that is the quality that pops out at you from this recording, made live at Shelly’s.
The group is rounded out by gentleman tenor-saxophonist Teddy Edwards, plus two youngbloods: pianist Monty Alexander, the jolly Jamaican with the inadvertent gift for pleasing crowds as well as musicians, and drummer Dick Berk, who has enhanced such groups as those of Mose Allison, Herbie Mann and Charlie Mingus.
Please take special note of Tenderly and let me know if there is any other bassist in the world besides Ray Brown who can perform it as a nine-minute solos of purely musical yet almost conversational proportions.
This is not experimental jazz. It’s beyond that, or as they say in New York, outside that. This is the solid, rooted, sweet-smelling earth of an enduring style, as played by its masters. Do you ever wonder why jazz hangs on in the rock-n-roll face of popular adversity? This album is why. Would I lie?
- Tracklisting
Disk 1 von 1 (CD)
-
1 Frankie and Johnny
-
2 Here's that rainy day
-
3 Wheelin' and dealin'
-
4 Blues in the bassment
-
5 Tenderly
-
6 That's the way it is
