Peter Michael Haas: Play Accordion. Vol. 2
Play Accordion. Vol. 2
Noten
- Buch, Lehrmaterial, (mit) Tonträger
- The Performance and Method Book for Advanced Players
- Music from all over the world - from Kletzmer & TexMex to Blues & Latin Jazz. Bonus: Fingering diagrams for the most important jazz chords!
- Komponist: Peter Michael Haas
- Label: AMA-Verlag GmbH
- Bestellnummer: 3659072
- AMA-Verlag GmbH
- Einband: Paperback
- ISBN-13: 9790501551132
- Gewicht: 739 g
- Maße: 305 x 247 mm
- Stärke: 18 mm
- Instrumentierung/Stimmen: Akkordeon
- Bem. z. Ausgabe: inkl. CD
- Erscheinungstermin: 9.11.2012
- Besetzung im Detail: Akkordeon
Anmerkungen:
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- Tracklisting
Sonstige (Noten)
- 1 Hello and welcome... / Chord Symbols and Bass Note Notation / Your Instrument / ...and what you have to think about when playing / A Small Warm Up: Breathing Exercises / The Beguine Accompaniment / New Notation Symbols / The Sign to Rest: the Fermata / The Symbol for Breathing: the Breath Mark
- 2 Chromaticism / A New Articulation: Martellato / Scale Fluency – Legato and Martellato / Exercise: Double Stops (Sixths)
- 3 Workshop Piece No. 1 – Roxy’s Waltz / 1. “One, Two, Three...”: There’s a Count Off / 2. The Chord Sequence / 3. The Melody / 4. Chord Shenanigans / The One Bar Repeat Sign / 5. Roxy’s Waltz – the Entire Form
- 4 A Chapter on Harmony: Triads Built on the Steps of the Scale / A New Ornamentation: the Upper Mordent / Unfamiliar Sounds: Scales from Eastern Europe / Finger Training: Slurring Double Stops (Thirds) / The “Drum Accompaniment” / New Rhythms: Odd Meters / Changing Dynamics: Suddenly or Gradually?
- 5 Workshop Piece No. 2 – Chanana’s Rhythm / Anticipated Accents / Rhythm Exercise: Tapping and Clapping! / Melody vs. Rock Bass: New Rhythm Exercises / Finger Training: Double Stops
- 6 Rolling Arpeggios / Eighth Note Triplets... / New Exercises for the Bellows / “Bellows Shake” / The Dynamic Colon: the “Forte-Piano” with Crescendo / A New Articulation: Portato / More Vivid Playing / The Hora Rhythm / Finger Training: Slurring Triads / Voicing Exercise
- 7 Workshop Piece No. 3 – 6:30 Blues / 1. The Chord Sequence: the Blues Form / 2. The Blues Rhythm / Simplified Notation of the Blues Rhythm / Chorus 1: Rhythmic Motif / Chorus 2: Melody Motif / Dirty Tricks: Tremolo and Roll / Chorus 3
- 8 Four Note Chords: a New World / Expanded Notation for the Bass / From Impressionism to Jazz Harmony / Major Chord with a Major Seventh: the Major 7 Chord / Minor Chord with a Minor Seventh: the Minor 7 Chord / A New Sound Option – Vibrato
- 9 Quarter Note Triplets / Four Note Chord Extension: the Ninth / The Major 7/9 Chord / The Minor 7/9 Chord / A Chapter on Harmony: Four Note Chords Built on the Steps of the Scale / Overview of the Five Most Important Four Note Chord Types / Typical Chord Progression – the “II – V – I” Progression
- 10 Tension Factor: the Circle Progression / “3 Against 2” / Rhythm Exercise for Los Dos Cactùssos / Finger Training: Four Note Chords / Rhythm Exercises for Hola, que tal! / A Preferred Collection of Notes for Improvisation / The Blues Scale / A Blues Scale Solo for Hola, que tal!
- 11 Four Note Chord Inversions / Connecting Inversions
- 12 Workshop Piece No. 4 – Merry Go Round / 1. The Structure of the Piece / 2. The Chords / Rhythm: a Simple “Swing” Accompaniment / 3. The Melody / Swing Feeling: the Thing Is How Much “Swing” / Chorus 1: Chords in Rhythm / Chorus 2: from the Chord to the Melody
- 13 “3 - 3 - 2” – the Rumba Rhythm / The Half Diminished Chord / The Bossa Nova Rhythm / New Chord – Cm6
- 14 Workshop Piece No. 5 – Tribute to Astor / The Structure of the Piece / Cue Notes / A New Rhythmic Element: N-Tuplets / Rhythm Exercise for Ipanema Boy / Timelessly Sad Sounds – the “Doina”
Play Accordion. Vol. 2
EUR 26,90*