Miles Davis: Birth Of The Cool (Rudy Van Gelder Remasters)
Birth Of The Cool (Rudy Van Gelder Remasters)
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- Label: Blue Note, 1949-50
- Bestellnummer: 3393655
- Erscheinungstermin: 8.1.2001
- Serie: Rudy Van Gelder Remasters
Weitere Ausgaben von Birth Of The Cool
- EUR 21,99* Miles Davis (1926-1991): Birth Of The Cool (180g) LP, (180g)
- EUR 22,99* Miles Davis (1926-1991): Birth Of The Cool (180g) (Limited Edition) (Red Vinly) +2 Bonustracks LP, (180g) (Limited Edition) (Red Vinly) +2 Bonustracks
- EUR 11,99* Miles Davis (1926-1991): Birth Of The Cool (Digisleeve) CD, (Digisleeve)
- EUR 24,99* Miles Davis (1926-1991): Birth Of The Cool (180g) +1 Bonus Track LP, (180g) +1 Bonus Track
- EUR 24,99* Miles Davis (1926-1991): Birth Of the Cool (180g) (Limited Numbered Edition) (Red/White Splatter Vinyl) LP, (180g) (Limited Numbered Edition) (Red/White Splatter Vinyl)
- EUR 31,99* Miles Davis (1926-1991): Birth Of The Cool (180g) LP, (180g)
- EUR 21,99* Miles Davis (1926-1991): Birth Of The Cool (180g) (Limited Edition) LP, (180g) (Limited Edition)
- EUR 21,99* Miles Davis (1926-1991): Birth Of The Cool (180g) (Limited Edition) (Blue Vinyl) LP, (180g) (Limited Edition) (Blue Vinyl)
- EUR 21,99* Miles Davis (1926-1991): Birth Of The Cool (Special Edition) (Yellow Vinyl) LP, (Special Edition) (Yellow Vinyl)
- EUR 9,99* Miles Davis (1926-1991): Birth Of The Cool CD
- EUR 22,99* Miles Davis (1926-1991): Birth Of The Cool (180g) (Limited Edition) (Red Vinyl) LP, (180g) (Limited Edition) (Red Vinyl)
- EUR 17,99* Miles Davis (1926-1991): Birth Of The Cool (SHM-CD) CD, (SHM-CD), Japan-Import
+Lee Konitz,Gerry Mulligan,Kai Winding,Max Roach,
Junior Collins,Kenny Clarke
Junior Collins,Kenny Clarke
- Gesamtverkaufsrang: 11596
- Verkaufsrang in CDs: 5721
Album digital in HD (Werbung)
Das ist selbst unter Jazz-Klassikern eine Seltenheit: Das Miles-Davis-Album »Birth Of The Cool« von 1957 wurde nicht nur ein großer Erfolg für den Trompeter und gehört heute zu den Evergreens die in keiner Jazzsammlung fehlen dürfen. Es wurde auch zum geflügelten Wort, »Birth Of The Cool« bezeichnet man im Jazz vieles das cool war und ist. Sogar eine erfolgreiche Compilationserie trug diesen Titel.
Wer dieses Album noch nicht als LP in seiner Sammlung stehen hat, kann jetzt zuschlagen. Die 1949/1950 aufgenommenen Titel markieren die erste Zusammenarbeit von Miles Davis und Arrangeur Gil Evans und sind in ihrer zurückgenommenen Stimmung einfach … cool!
As described by key participant Gerry Mulligan in one of the essays included in the CD booklet, the birth of the Miles Davis Nonet took place in the basement apartment of Gil Evans, who was highly respected by musicians at the time (if little known to the public) as the principal arranger for Claude Thornhill. With important input from Mulligan, then a little-known baritone saxophonist; budding composer and pianist John Lewis, who had worked with Parker, Dizzy Gillespie and Lester Young; composer Johnny Carisi; Lee Konitz, star Thornhill soloist and the rare new alto saxophonist who had not been content to simply imitate Parker; and Davis, who took it upon himself to assemble a mid-sized group that would test his friends' new ideas, a band emerged that played one three-week gig at the Royal Roost in New York City in September of 1948.
The experiment might have ended there had Capitol Records producer Walter Rivers not chosen to record the Nonet in three sessions that took place over the space of 14 months. These sessions produced a dozen classic titles. Mulligan arranged six, among them his compositions "Jeru," "Venus De Milo" and "Rocker"; Lewis contributed three more, including versions of Denzil Best's "Move" and the Davis-Bud Powell line "Budo"; Evans added brilliant versions of "Boplicity" (composed by Evans and Davis, though credited to "Cleo Henry") and the ballad "Moon Dreams"; and Carisi added his sinuous blues "Israel." With poised, controlled improvisations by primary soloists Davis, Mulligan, and Konitz; and with vital contributions from an ensemble that on one or more of the recording dates also included jazz giants Lewis, Kenny Clarke, Al Haig, J. J. Johnson, Max Roach and Kai Winding, the Miles Davis Nonet introduced an approach significantly distinct from the swift and overtly virtuosic bebop norm that launched the subsequent "cool" approach that became identified with such West Coast stars as Mulligan, Shorty Rogers and Chet Baker.
Wer dieses Album noch nicht als LP in seiner Sammlung stehen hat, kann jetzt zuschlagen. Die 1949/1950 aufgenommenen Titel markieren die erste Zusammenarbeit von Miles Davis und Arrangeur Gil Evans und sind in ihrer zurückgenommenen Stimmung einfach … cool!
As described by key participant Gerry Mulligan in one of the essays included in the CD booklet, the birth of the Miles Davis Nonet took place in the basement apartment of Gil Evans, who was highly respected by musicians at the time (if little known to the public) as the principal arranger for Claude Thornhill. With important input from Mulligan, then a little-known baritone saxophonist; budding composer and pianist John Lewis, who had worked with Parker, Dizzy Gillespie and Lester Young; composer Johnny Carisi; Lee Konitz, star Thornhill soloist and the rare new alto saxophonist who had not been content to simply imitate Parker; and Davis, who took it upon himself to assemble a mid-sized group that would test his friends' new ideas, a band emerged that played one three-week gig at the Royal Roost in New York City in September of 1948.
The experiment might have ended there had Capitol Records producer Walter Rivers not chosen to record the Nonet in three sessions that took place over the space of 14 months. These sessions produced a dozen classic titles. Mulligan arranged six, among them his compositions "Jeru," "Venus De Milo" and "Rocker"; Lewis contributed three more, including versions of Denzil Best's "Move" and the Davis-Bud Powell line "Budo"; Evans added brilliant versions of "Boplicity" (composed by Evans and Davis, though credited to "Cleo Henry") and the ballad "Moon Dreams"; and Carisi added his sinuous blues "Israel." With poised, controlled improvisations by primary soloists Davis, Mulligan, and Konitz; and with vital contributions from an ensemble that on one or more of the recording dates also included jazz giants Lewis, Kenny Clarke, Al Haig, J. J. Johnson, Max Roach and Kai Winding, the Miles Davis Nonet introduced an approach significantly distinct from the swift and overtly virtuosic bebop norm that launched the subsequent "cool" approach that became identified with such West Coast stars as Mulligan, Shorty Rogers and Chet Baker.
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Move
- 2 Jeru
- 3 Moon Dreams
- 4 Venus De Milo
- 5 Budo
- 6 Deception
- 7 Godchild
- 8 Boplicity
- 9 Rocker
- 10 Israel
- 11 Rouge
- 12 Darn That Dream
