John Coltrane: Black Pearls (180g) (Limited Edition)
Black Pearls (180g) (Limited Edition)
LP
LP (Long Play)
Die gute alte Vinyl - Langspielplatte.
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- Label: Waxtime, 1958
- Erscheinungstermin: 7.9.2010
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*** DMM - Direct Metal Mastering
In addition to their positions of importance in the Miles Davis quintet of the mid-fifties, John Coltrane and Red Garland a series of studio dates for Prestige in 1957 and '58. Here, as in several of the others, Paul Chambers is the bassist and Arthur Taylor is the drummer, with Donald Byrd on trumpet making it a quintet.
There are only three numbers, the title song "Black Pearls", an extremely swift version of "Lover Come Back To Me", and the fast "Sweet Sapphire Blues" which begins with Garland soloing from the gitgo in a long, upbeat exploration before Trane unfurls his "sheets of sound". Byrd gets into that rapid fire mode, in and among his evenly-cadenced lines and Chambers (plucked) and Taylor (brushes into sticks) solo before Garland ends it with a riff credited to Prestige's then-president, Bob Weinstock.
A Note From Rudy Van Gelder:
"I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger." --Rudy Van Gelder.
Jazz-Klassiker neu aufgelegt inkl.. einem Bonustrack.
,,Mitreißender, tiefgründiger Hard Bop - Coltrane at his finest." (Lp Magazin, April / Mai 2012)
There are only three numbers, the title song "Black Pearls", an extremely swift version of "Lover Come Back To Me", and the fast "Sweet Sapphire Blues" which begins with Garland soloing from the gitgo in a long, upbeat exploration before Trane unfurls his "sheets of sound". Byrd gets into that rapid fire mode, in and among his evenly-cadenced lines and Chambers (plucked) and Taylor (brushes into sticks) solo before Garland ends it with a riff credited to Prestige's then-president, Bob Weinstock.
A Note From Rudy Van Gelder:
"I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger." --Rudy Van Gelder.
Jazz-Klassiker neu aufgelegt inkl.. einem Bonustrack.
Rezensionen
,,Mitreißender, tiefgründiger Hard Bop - Coltrane at his finest." (Lp Magazin, April / Mai 2012)
- Tracklisting
Die Hörproben gehören zum Artikel John Coltrane (1926-1967): Black Pearls (Rudy Van Gelder Remasters) (CD). Das Tracklisting kann bei diesem Artikel ggf. abweichen.
LP
- 1 Black Pearls
- 2 Lover Come Back To Me
- 3 Sweet Sapphire Blues
- 4 Theme For Ernie
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