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"The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book digs into the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Calling upon such standout works as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson's experiments with code switching and vernacular intervention; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; the influence of the sea; and his use of abysmal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C. L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miâeville, Greg Bear, and Charlie Jane Anders. Demonstrating how his work is both of his time and 'untimely', Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, wherein his work challenges what has thus far been accepted about the genre and the frames through which we view it"--