Rhiannon Firth: Utopia in the Factory, Gebunden
Utopia in the Factory
- Prefigurative Knowledge Against Cybernetics
(soweit verfügbar beim Lieferanten)
- Verlag:
- Springer, 08/2025
- Einband:
- Gebunden
- Sprache:
- Englisch
- ISBN-13:
- 9783031871313
- Artikelnummer:
- 12589188
- Umfang:
- 212 Seiten
- Gewicht:
- 391 g
- Maße:
- 216 x 153 mm
- Stärke:
- 17 mm
- Erscheinungstermin:
- 1.8.2025
- Hinweis
-
Achtung: Artikel ist nicht in deutscher Sprache!
Klappentext
This book is open access. The idea that automation, Artificial Intelligence (AI) and Robotics might lead to a utopian future for humanity is a powerful one both in mainstream and radical discourse. The paradigm of 'Industry 4.0' where digital manufacturing enables the seamless production of goods (and services) and 'lights out' factories where machines and robots effortlessly produce for our future needs and wants are powerful drivers of a capitalist, free market cybertopia. For some radicals, technology and automation produce the conditions for a Fully Automated Luxury Communism, drawing on an interpretation of Marx, where human work would be replaced by a life of leisure and abundance for all. For others, an earlier discourse -- cybernetics - and the use of AI and social media in communication and co-ordination enable forms of radical organization through 'anarchist cybernetics'.
This book questions that technological optimism -- particularly cybernetics, automation and AI -- through a critique of these technologies and organizational forms. Cybernetics and corresponding technologies and forms (particularly Industry 4.0) can never capture human forms of creativity and working practices. Furthermore, there are similar problems with the 'cybernetic paradigm' as a radical form of organization or social movement in terms of human autonomy, creativity, desire and social prefiguration. As counterpoint the book shows, through empirical evidence and drawing on interviews with workers or activists in a variety of organizational forms, that tacit knowledge and autonomous and spontaneous human projects (what the authors define as 'hobbying') are critical in the physical act of making and co-operating.
Biografie (John Preston)
John Preston is a former Arts Editor of the Evening Standard and the Sunday Telegraph. For ten years he was the Sunday Telegraph's television critic and one of its chief feature writers. His novel, The Dig, based on the 1939 archaeological excavation at Sutton Hoo in Suffolk, has been filmed starring Ralph Fiennes, Carey Mulligan and Lily James. His first nonfiction book, A Very English Scandal, was published to great acclaim in 2016 and turned into BAFTA-winning BBC drama series. His latest book, Fall, tells the story of the rise and fall of the politician and business magnate Robert Maxwell.