Kelsey Ridge: Shakespeare and Trauma Theory, Gebunden

Klappentext

Kelsey Ridge provides a thorough overview of how we can use trauma theory to understand Shakespeare through its intellectual and practical application . Ridge covers the history of trauma theory from Freud to Holocaust studies and PTSD by drawing on psychoanalytic theory, feminist theory, post-colonial theory and disability studies.

The Rape of Lucrece , Titus Andronicus , and Merchant of Venice provide initial case studies of trauma-informed analyses of Shakespeare, whilst a focus on adaptation furthers our understanding of key plays and productions. These include The Tempest , The Percys' Opera inspired by Henry IV, Part 1 , and Cry Havoc! , a production by the trauma-focused theatre company De-Cruit, which together suggest how trauma theory can be used as a tool for analysing Shakespeare as well as engaging with the lived experience of trauma itself. In communicating these interpretations, Ridge provides a set of tools for those wanting to conduct their own trauma theory analyses of Shakespeare, productions and adaptations themselves. A dynamic resource for academics, students, and theatre practitioners, Shakespeare and Trauma Theory includes suggested readings and resources as well as a glossary of key terms to support understanding of an important and growing field in Shakespeare studies.