Klappentext

Dear reader,

Anyone expecting a melancholic epitaph for a bygone era in my book "Art & Literature in East Germany - Resistance Between the Lines" will be disappointed. I myself grew up in East Germany and spent half of my life there. There is nothing politically desirable about that time, and nothing of it should be repeated. The other half I spent in united Germany, and while some aspects could have been better, many were indeed better. One had the freedom to adapt or to drift through the years. That seems to be changing lately. What needs to be said sometimes becomes unspeakable. Thoughts must occasionally be rethought. Some words withdraw back between the lines and must be found there.

In this context, I want to introduce you to my book - a collection of stories and history about courage, resistance, and creativity during a time of oppression and political change. "Art & Literature in East Germany - Resistance Between the Lines" is a book that captures the secret voices of the artists who lived and worked during the time of the German Democratic Republic. Their stories were often told in secret, hidden between the lines of their works and away from the eyes of censors. They may serve as examples of people who dared to think the unthinkable and speak the unspeakable, despite speech and thought prohibitions.

East Germany was marked by an ideological dictatorship in which artists faced numerous challenges. Art was viewed by the party as a means of propaganda and solidifying the socialist regime. Every artistic expression was carefully monitored and controlled. However, despite these restrictive conditions, many found ways to express their ideas and criticisms by pushing the boundaries of what was allowed or subtly resisting the system.

In this book, we will immerse ourselves in the world of East German art, which provides insight into the lives of artists who confronted the painful realities of everyday life with their creativity and resistance. The stories you will read here are a mixture of personal experiences, historical events, and art historical analysis. They tell of the difficulties artists faced in East Germany and the innovative methods they used to convey their messages nonetheless.

It is fair to say that literature is closest to my heart. For me, it had the most exciting heroes who broke through the walls of silence with their words. Authors like Christa Wolf, Volker Braun, and Stefan Heym dared to address critical issues and reflect the reality of life in East Germany in their works. They used metaphors and allegories to encrypt their thoughts and yet convey a clear message.

The theater also became a stage for resistance. Directors like Heiner Müller, Christoph Schroth, and Frank Castorf staged plays that contained political commentary between the lines. They used the medium of theater to reveal the truths behind the masks and express the despair and resistance of people in East Germany.

In the dark corners of the East German art scene, underground movements formed, where artists gathered in apartments and basements to present their works outside official channels. This subversive art, often born in secrecy, was an act of courage and determination to bypass censorship and keep the true spirit of art alive.

This book is a compilation of memories, anecdotes, and interpretations meant to help us understand the complexity and spirit of resistance in East German art.
The stories you will read in this book are not just a reflection of past times but also an encouragement to uphold the values of freedom, expression, and humanity in every society. It is an invitation for future generations to prevent the truth from needing to be sought between the lines once again.

Be prepared to be surprised, inspired, and moved.

Yours sincerely,
Hermann Selchow