European Cinema in the Streaming Era, Kartoniert / Broschiert
European Cinema in the Streaming Era
- Policy, Platforms, and Production
(soweit verfügbar beim Lieferanten)
- Herausgeber:
- Christopher Meir, Roderik Smits
- Verlag:
- Springer International Publishing, 04/2025
- Einband:
- Kartoniert / Broschiert
- Sprache:
- Englisch
- ISBN-13:
- 9783031421846
- Artikelnummer:
- 12300932
- Umfang:
- 356 Seiten
- Gewicht:
- 461 g
- Maße:
- 210 x 148 mm
- Stärke:
- 20 mm
- Erscheinungstermin:
- 10.4.2025
- Hinweis
-
Achtung: Artikel ist nicht in deutscher Sprache!
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Klappentext
Section I: European Policy and Streaming Cinema.- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU's Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen.- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle.- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon.- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King's College, London Section II: SVOD platforms and the Circulation of European Films.- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid.- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent.- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid.- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid.- Section III: SVOD-Financed European Production.- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid.- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague.- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna).- 12.Particularising the Universal in Aléxandre Aja's Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick).- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix's Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent).