Eliza Moss: What It's Like in Words, Kartoniert / Broschiert
What It's Like in Words
(soweit verfügbar beim Lieferanten)
- Verlag:
- St. Martins Press, 12/2025
- Einband:
- Kartoniert / Broschiert
- Sprache:
- Englisch
- ISBN-13:
- 9781250355072
- Artikelnummer:
- 12147555
- Umfang:
- 320 Seiten
- Gewicht:
- 454 g
- Maße:
- 210 x 137 mm
- Stärke:
- 25 mm
- Erscheinungstermin:
- 2.12.2025
- Serie:
- Holt Paperbacks
- Hinweis
-
Achtung: Artikel ist nicht in deutscher Sprache!
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Klappentext
A dark, intense, and compelling story of what happens when a young woman falls in love with the wrong kind of man.
Enola is approaching 30 and everything feels like a lot . The boxes aren't ticked and she feels adrift in a way she thought she would have beaten by now. She wants to be a writer but can't finish a first draft; she romanticizes her childhood but won't speak to her mother; she has never been in a serious relationship but yearns to be one half of a couple that DIYs together on weekends.
Enter: enigmatic writer. Enola falls in love and starts to dream about their perfect future: the wedding, the book deals, the house in Stoke Newington. But the reality is far from perfect. He's distant. But she's a Cool Girl, she doesn't need to hear from him every day. He hangs out with his ex. But she's a Cool Girl, she's not insecure. Is she? He has dark moods. But he's a creative, that's part of his "process." Her best friend begs her to end it, but Enola can't. She's a Cool Girl.
She might feel like she's going crazy at times, but she wants him. She needs him. She would die without him . . . That's what love is, isn't it? Over the next twenty-four hours (and two years), everything that Enola thinks she knows is about to unravel, and she has to think again about how she sees love, family, friendship, and-most importantly-herself.
With notes of Fleabag and I May Destroy You but with the sparseness and emotional accuracy of writers like Lily King,What It's Like in Words is a close examination of what it means to experience the intense emotional uncertainty of first love.