Andre Keiji Kunigami: Yellowness, Kartoniert / Broschiert

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This book studies the visual production of the racial category of yellowness between twentieth-century Japan and Brazil, where the term "yellow" is still widely used to describe people of East Asian descent. Revealing how film and photography were used to define yellowness as a racial abjection destined to disappear, André Keiji Kunigami uncovers an undertheorized Asian-Latin American cinematic regime that articulated an unstable relation among race, gender, and the body--and ultimately ascribed to yellowness the potential to support postslavery Brazil's aspirations to whiteness. Drawing on media as diverse as Brazilian eugenic photography of the 1930s, midcentury avant-garde cinema, and the commercial erotic genre of pornochanchada , Yellowness offers a bold intervention into the intertwined histories that made Brazil home to both the largest Black population outside Africa and the largest ethnically Japanese population outside Japan.