Van Gogh (1991) (Blu-ray) (UK Import)
Van Gogh (1991) (Blu-ray) (UK Import)
Blu-ray Disc
Blu-Ray Disc
Die Blu-Ray wurde als High-Definition-Nachfolger der DVD entwickelt und bietet ihrem Vorläufer gegenüber eine erheblich gesteigerte Datenrate und Speicherkapazität. Auf Blu-Rays können daher Filme mit deutlich besserer Auflösung gespeichert werden und bieten auf entsprechenden Bildschirmen eine enorm hohe Bildqualität. Blu-Ray-Player sind in der Regel abwärtskompatibel zu DVDs, so dass auch diese abgespielt werden können.
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- Frankreich, 1991
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Infos zu Titeln ohne Jugendfreigabe - Erscheinungstermin: 30.9.2013
- Serie: Masters of Cinema
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Genre:
Spieldauer: 158 Min. - Regie: Maurice Pialat
- Darsteller: Jacques Dutronc, Alexandra London, Bernard Le Coq
- Sprache: Französisch
- Untertitel: Englisch
- Specials: Gorgeous new restoration of the film, appearing in 1080p on the Blu-ray
New and improved optional English subtitles
Van Gogh [1965] — a short, early documentary about the painter, by Maurice Pialat
A 10-minute video interview with Pialat from 1991
A 50-minute video interview with Pialat from 1992
Video interviews with actors Jacques Dutronc and Bernard Le Coq; director of photography Emmanuel Machuel; and editor Yann Dedet
Deleted scenes
Original theatrical trailer 32-PAGE BOOKLET containing writings by Pialat; a letter from Jean-Luc Godard in tribute to both Pialat and the film; rare archival imagery
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One of the greatest films by one of the finest directors of the second half of the 20th century, Maurice Pialat’s Van Gogh represents an ambitious and crowning achievement in its portrayal of the master painter’s final weeks of life, almost exactly one-hundred years earlier.
Van Gogh, depicted by the remarkable actor/songwriter-singer Jacques Dutronc (Godard’s Sauve qui peut (la vie)), has arrived at Auvers-sur-Oise to come under the care of Dr. Gachet (Gérard Séty) for his nervous agitation. Soon after the arrival of Vincent’s brother Théo (Bernard Le Coq) and his wife, plein air portraiture and conviviality give way to the more crepuscular moods of brothels and cabarets, and the painter’s anguished existence, tossing between money worries and an impassioned relationship with the doctor’s teenage daughter, finally meets its terminal scene. With its loosely factual and wholly inspired treatment of the last period of Van Gogh’s life, Pialat’s film applies an impressionist touch to the biographical picture — indeed, the filmmaker was himself an accomplished painter, and the personal resonance of the subject matter results in an epic, major late work.
Van Gogh, depicted by the remarkable actor/songwriter-singer Jacques Dutronc (Godard’s Sauve qui peut (la vie)), has arrived at Auvers-sur-Oise to come under the care of Dr. Gachet (Gérard Séty) for his nervous agitation. Soon after the arrival of Vincent’s brother Théo (Bernard Le Coq) and his wife, plein air portraiture and conviviality give way to the more crepuscular moods of brothels and cabarets, and the painter’s anguished existence, tossing between money worries and an impassioned relationship with the doctor’s teenage daughter, finally meets its terminal scene. With its loosely factual and wholly inspired treatment of the last period of Van Gogh’s life, Pialat’s film applies an impressionist touch to the biographical picture — indeed, the filmmaker was himself an accomplished painter, and the personal resonance of the subject matter results in an epic, major late work.