Philip Edward Fisher - The Mighty Handful
Philip Edward Fisher - The Mighty Handful
Mit Werken von:
Modest Mussorgsky (1839-1881)
, Cesar Cui (1835-1918)
, Alexander Borodin (1833-1887)
, Nikolai Rimsky-Korssakoff (1844-1908)
, Mily Balakireff (1837-1910)
Mitwirkende:
Philip Edward Fisher
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
-
Mussorgsky: Bilder einer Ausstellung
+Cui: Nocturne fis-moll
+Borodin: Scherzo As-Dur; Petite Suite
+Rimsky-Korssakoff: Scherzino Nr. 3 aus "4 Pieces op. 11"; Romanze Nr. 2 aus "3 Pieces op. 15"; Walzer Nr. 1 aus "3 Pieces op. 15"
+Balakireff: Islamey
- Künstler: Philip Edward Fisher, Klavier
- Label: Chandos, DDD, 2010
- Bestellnummer: 3881324
- Erscheinungstermin: 20.5.2011
Product Information
Piano Works by 'The Mighty Handful'
On his first solo recital disc for Chandos, Philip Edward Fisher performs piano works by members of the so-called ‘Mighty Handful’, a group of five Russian composers – César Cui, Alexander Borodin, Mily Balakirev, Modest Mussorgsky, and Nikolay Rimsky-Korsakov – who in the 1860s banded together in an attempt to create a truly national school of Russian music, free of the perceived stifling influences of Italian opera, German lieder, and other western European forms.
The Mighty Handful were all self-trained amateurs. Borodin combined composing with a career in chemistry; Rimsky-Korsakov was a naval officer; and Mussorgsky had been in the Guards, then in the civil service, before taking up music. They tried to incorporate in their music what they heard in village songs, in Cossack dances, in church chants, and the tolling of church bells; in short, the music of the Mighty Handful was brimming with sounds that echoed Russian life. From the more traditional, Chopin-esque Nocturne by Cui through to the technical innovations and strong Caucasus folk elements of Balakirev’s Islamey, the works here all show the composers’ strong connections with the past and the compositional innovations that would come to influence the likes of Prokofiev and Stravinsky, and help change the course of Russian music for years to come.
A graduate of the Royal Academy of Music and The Juilliard School, the pianist Philip Edward Fisher is widely recognised as a unique performer of refined style and exceptional versatility. He has performed across Europe, Africa, and North America where he made his New York debut at Alice Tully Hall in 2002, performing Rachmaninoff’s Third Piano Concerto, and has also appeared at the Merkin Concert Hall and the Avery Fisher Hall at Lincoln Center.
At home he has given performances at the Purcell Room, Wigmore Hall, Barbican Centre, and Royal Festival Hall in London, Usher Hall in Edinburgh, Glasgow Royal Concert Hall, and Symphony Hall in Birmingham. He has appeared as a soloist with the Royal Scottish National Orchestra, Copenhagen Philharmonic Orchestra, Toledo Symphony Orchestra, and Juilliard Symphony Orchestra, and worked with performers such as exclusive Chandos artist bassoonist Karen Geoghegan, the tenor Robert White, pianist Sara Buechner, and violinists Elmar Oliveira, Philippe Graffin, and Augustin Hadelich. In 2001, Philip Edward Fisher received the Julius Isserlis Award from The Royal Philharmonic Society in London.
Rezensionen
"...If I were teaching a course in Russian music, this would be required listening..." Harrington - American Record Guide - November / December 2011
“This is a fascinatingly programmed offering … Cui’s Nocturne is perfectly shaped, Tchaikovskian miniature, and Fisher captures its melancholy well (as he also does later with Rimsky-Korsakov’s Romance). There is charm aplenty here: the Borodin Scherzo … is delicious. Fisher’s enthusiasm is infectious, and his finger work and sense of rhythm seem complete… His staccato illuminates Rimsky-Korsakov’s Scherzino, while nostalgia shines through the Waltz. Balakirev’s thrilling ride Islamey is given a polished reading…” Colin Clarke – International Piano – July / August 2011
“Classical CD of the week”
Geoffrey Norris – The Telegraph – 11 June 2011
“…This music may be light, but it stands up to repeated listening.” John Allison – BBC Music Magazine – July 2011
- Tracklisting
Disk 1 von 1 (CD)
- 1 Promenade
- 2 I. Gnomus
- 3 Promenade
- 4 II. Old Castle
- 5 Promenade
- 6 Iii. Tuileries
- 7 IV. Bydlo
- 8 Promenade
- 9 V. Ballet of the Chickens in their Shells
- 10 VI. Samuel Goldenberg and Schmuyle
- 11 Promenade
- 12 Vii. The Market-Place At Limoges
- 13 Viii. Catacombae (Sepulcrum Romanum) -
- 14 Viii. Con Mortuis In Lingua Mortua
- 15 IX. The Hut on Fowl's Legs (Baba-Yaga)
- 16 X. The Great Gate at Kiev
- 17 4 Morceaux, Op. 22: No. 3. Nocturne
- 18 Scherzo in A flat major
- 19 I. In the Monastery
- 20 II. Intermezzo
- 21 Iii. Mazurka
- 22 IV. Mazurka
- 23 V. Reverie
- 24 VI. Serenade
- 25 Vii. Nocturne
- 26 4 Pieces, Op. 11: No. 3. Scherzino
- 27 No. 2. Romance
- 28 No. 1. Waltz
- 29 Islamey
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