Leopold Godowsky: Sämtliche Studien über die Etüden von Chopin
Sämtliche Studien über die Etüden von Chopin
2
CDs
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- Künstler: Marc-Andre Hamelin (Klavier)
- Label: Hyperion, DDD, 98/99
- Bestellnummer: 2232931
- Erscheinungstermin: 14.4.2000
Product-Information:
Godowsky's Studies on Chopin's Etudes have achieved a legendary status among piano enthusiasts. Few areas of the repertoire have such a notorious reputation for technical difficulty and audacious compositional invention. Far from being disrespectful maltreatments of Chopin's masterpieces, Godowsky's elaborations aim to extend the limits of modern piano technique. Some recast Chopin's right-hand passagework for the left hand while introducing new contrapuntal ideas; some treat the originals more freely, inverting, imitating or combining two Etudes; others are character pieces or variations based on Chopin's originals; and twenty-two of the Studies are for the left hand alone. Taken as a whole, these Studies revolutionized piano writing and expanded the polyphonic and polyrhythmic capabilities of the instrument. They remain among the most daunting challenges of the piano literature, their difficulties not always fully apparent to the listener.
Pianists brave enough to tackle this music have often been content merely to get through the notes. Marc-André Hamelin, renowned for his superhuman technical control, injects them with the required range of character, colour and musicianship, as well as breathtaking virtuosity. Uniquely available on 2CDs, this will surely be the benchmark recording for all time.
This set comes with a handsome booklet, including an essay by the Godowsky expert Jeremy Nicholas and individual commentaries by Marc-André Hamelin.
Rezensionen
»This is probably the most breathtaking piano recording I've ever heard. It's exceptional, not only for Hamelin's pianistic perfection – staggering in itself – but also for the sensitivity and tenderness he brings to the music. This disc is a real winner« (BBC Music Magazine)
»I have no hesitation in saying that this is one of the great piano recordings of recent years and, if there's any justice at all, it will garner a whole chest-full of awards ... breathtaking« (Classic CD)
»This is one of the great solo piano recordings of this or any other year … unlikely ever to be surpassed. The Canadian virtuoso has one of the most astonishing keyboard techniques in history« (International Record Review)
»He has surpassed himself here: I have never heard such playing before. This is, quite simply, amazing« (International Piano Quarterly)
Rezensionen
A. Csampai in Scala 7 / 00: »In Hamelins dämonisch abgefeimter Version spürt man mehr als zweieinhalb Stunden lang fast nichts von den fingertechnischen Höchstschwierigkeiten dieses 53-teiligen Horrortrips, dieser hypertrophen orchestralen Ornamentik, dieses kühnsten Manifests des Finde-Siecle-Manierismus. Der außergewöhnliche Magier des Klaviers bewirkt, dass auch hier die Technik auf mysteriöse Weise vom Klang abfällt, sich verflüchtigt, und uns der pure Klangfarben-Rausch umfängt.«- Tracklisting
Disk 1 von 2
- 1 Study No.1 in C, 1st Version (From Etude in C, Op.10 No.1): Allegro Maestoso
- 2 Study No.2 in D flat, 2nd Version (From Etude in C, Op.10 No.1): Allegro
- 3 Study No.3 in a, 1st Version (From Etude in a, Op.10 No.2): Allegro
- 4 Study No.4 in a 'Ignis Fatuus', 2nd Version (From Etude in a, Op.10 No.2): Allegro
- 5 Study No.5 in D flat (From Etude in E, Op.10 No.3): Lento Ma Non Troppo
- 6 Study No.6 in c# (From Etude in c#, Op.10 No.4): Presto
- 7 Study No.7 in G flat, 1st Version (From Etude in G flat, Op.10 No.5): Vivace
- 8 Study No.8 in C, 2nd Version (From Etude in G flat, Op.10 No.5): Vivace
- 9 Study No.9 in a 'Tarantella', 3rd Version (From Etude in G flat, Op.10 No.5): Vivace
- 10 Study No.10 in A, 4th Version (From Etude in G flat, Op.10 No.5): Vivace
- 11 Study No.11 in G flat, 5th Version (From Etude in G flat, Op.10 No.5): Vivace
- 12 Study No.12 in G flat, 6th Version (From Etude in G flat, Op.10 No.5): Vivace
- 13 Study No.12a in G flat, 7th Version (From Etude in G flat, Op.10 No.5): Vivace
- 14 Study No.13 in e flat (From Etude in e flat, Op.10 No.6): Quaver=108-132
- 15 Study No.14 in C 'Toccata', 1st Version (From Etude in C, Op.10 No.7): Vivace
- 16 Study No.15 in G flat 'Nocturne', 2nd Version (From Etude in C, Op.10 No.7): Allegretto Espressivo
- 17 Study No.15a in E flat, 3rd Version (Etude in C, Op.10 No.7): Allegro
- 18 Study No.16 in F, 1st Version (From Etude in F, Op.10 No.8): Allegro Risoluto
- 19 Study No.16a in G flat, 2nd Version (From Etude in F, Op.10 No.8): Allegro
- 20 Study No.17 in c#, 1st Version (From Etude in f, Op.10 No.9): Allegretto
- 21 Study No.18 in f, 2nd Version (From Etude in f, Op.10 No.9): Mesto
- 22 Study No.18a in f#, 3rd Version (From Etude in f, Op.10 No.9): Allegretto
- 23 Study No.19 in D, 1st Version (From Etude in A flat, Op.10 No.10): Allegro Moderato
- 24 Study No.20 in A flat, 2nd Version (From Etude in A flat, Op.10 No.10): Presto Ma Non Troppo
- 25 Study No.21 in A (From Etude in E flat, Op.10 No.11): Allegretto Sostenuto
- 26 Study No.22 in c# (From Etude in c, Op.10 No.12): Allegro Con Fuoco
- 27 Study No.23 in A flat, 1st Version (From Etude in A flat, Op.25 No.1): Allegro Sostenuto
- 28 Study No.24 in A flat, 2nd Version (From Etude in A flat, Op.25 No.1): Allegro Sostenuto
Disk 2 von 2
- 1 Study No.25 in A flat, 3rd Version (From Etude in A flat, Op.25 No.1): Allegro Sostenuto
- 2 Study No.26 in f, 1st Version (From Etude in f, Op.25 No.2): Vivace
- 3 Study No.27 in f 'Waltz', 2nd Version (From Etude in f, Op.25 No.2): Tempo Di Valse
- 4 Study No.28 in f, 3rd Version (Version A)(From Etude in f, Op.25 No.2): Allegro Moderato
- 5 Study No.28 in f, 3rd Version (Version B)(From Etude in f, Op.25 No.2): Allegro Moderato
- 6 Study No.28a in f#, 4th Version (From Etude in f, Op.25 No.2): Presto Ma Non Troppo
- 7 Study No.29 in F, 1st Version (From Etude in F, Op.25 No.3): Allegro Moderato
- 8 Study No.30 in F, 2nd Version (From Etude in F, Op.25 No.3): Allegro Moderato
- 9 Study No.31 in a, 1st Version (From Etude in a, Op.25 No.4): Allegro Moderato
- 10 Study No.32 in f 'Polonaise', 2nd Version 9From Etude in a, Op.25 No.4): Allegro Drammatico
- 11 Study No.33 in e, 1st Version (From Etude in e, Op.25 No.5): Allegro Ma Non Troppo
- 12 Study No.34 in c# 'Mazurka', 2nd Version (From Etude in e, Op.25 No.5): Tempo Di Mazurka
- 13 Study No.35 in b flat, 3rd Version (From Etude in e, Op.25 No.5): Allegro Moderato
- 14 Study No.36 in g# (From Etude in g#, Op.25 No.6): Allegro
- 15 Study No.38 in D flat (From Etude in D flat, Op.25 No.8): Allegro Sostenuto E Cantabile
- 16 Study No.39 in G flat, 1st Version (From Etude in G flat, Op.25 No.9): Allegro Vivace
- 17 Study No.40 in G flat, 2nd Version (From Etude in G flat, Op.25 No.9): Allegro
- 18 Study No.41 in b (From Etude in b, Op.25 No.10): Allegro Con Fuoco
- 19 Study No.42 in a (From Etude in a, Op.25 No.11): Lento - Allegro Con Brio
- 20 Study No.43 in c# (From Etude in c, Op. 25 No.12): Allegro Molto E Con Fuoco
- 21 Study No.44 in f (From Nouvelle Etude No.1 in f): Allegretto Con Moto
- 22 Study No.45 in E, 1st Version (From Nouvelle Etude No.2 in A flat): Allegretto
- 23 Study No.45a in D flat, 2nd Version (From Nouvelle Etude No.2 in A flat): Allegretto
- 24 Study No.46 in G 'Menuetto' (From Nouvelle Etude No.3 in D flat): Allegretto Grazioso
- 25 Study No.47 in G flat 'Badinage' (From Etudes in G flat, Op.10 No.5/Op.25 No.9 Combined): Vivace...
- 26 Study No.48 in F (From Etudes in E flat, Op.10 No.11/in F, Op.25 No.3, Combined): Allegretto...